Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The sixth composition: Roman Halfuncials.
Monthly Archives: November, 2008
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OCH Chart 6: Roman Halfuncials
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The sixth chart: Roman Halfuncials.
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OCH Composition 5: Roman Book Hands
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The fifth composition: Roman Book Hands.
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OCH Chart 5: Roman Book Hands
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The fifth chart: Roman Book Hands.
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OCH Composition 4: Late Uncials
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The fourth composition: Late Uncials.
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OCH Chart 4: Late Uncials
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The fourth chart: Late Uncials.
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OCH Composition 3: Early Uncials
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The third composition: Early Uncials.
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OCH Chart 3: Early Uncials
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The third chart: Early Uncials.
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OCH Composition 2: Rustic Capitals
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The second composition: Rustic Capitals.
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OCH Chart 2: Rustic Capitals
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The second chart: Classic Roman Capitals.
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OCH Composition 1: Classic Roman Capitals
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The first composition: Classic Roman Capitals.
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OCH Chart 1: Classic Roman Capitals
Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. The first chart: Classic Roman Capitals.
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OUR CALLIGRAPHIC HERITAGE
David, Ismar. Our Calligraphic Heritage: The Geyer Studio Writing Book: Text, Charts and Compositions. New York: Geyer Studio, Inc., 1979. 1 portfolio (37 p., [17] leaves, [68] p.), 24 cm. Book and case design; charts; compositions.
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TYPOPHILES CHAPBOOK
The Typohiles. Chapbook Commentary. New York: The Typophiles, [1955] 16 p., 18 cm. Cover lettering and illustration (illustration of Daniel from the Book of Daniel) on page 2.
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SACRED PAINTINGS BY THE GREAT MASTERS, 3 decorative frames
Sacred Paintings by the Great Masters. New York: Harry N. Abrams.
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SACRED PAINTINGS BY THE GREAT MASTERS
Sacred Paintings by the Great Masters. Introductory essay, “Spiritual Values in Art,” by Lee H. B. Malone. New York: Harry N. Abrams, [195-?] 1 portfolio ([8] p., [12] leaves of plates), 39 cm. Cover design; decorative frames and initials.
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EXHIBITION ALEFBET
This seems to be a sample of a full alefbet that Ismar designed for exhibition signage.
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RELIGIOUS PAINTINGS, two initials
Religious Paintings by the Great Masters. New York: Harry N. Abrams, [1954?]
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RELIGIOUS PAINTINGS BY THE GREAT MASTERS
Religious Paintings by the Great Masters. Introductory essay, “Christianity and Art,” by Marvin Halverson. New York: Harry N. Abrams, [1954?] 1 portfolio ([8] p., [12] leaves of plates), 39 cm. Cover design; decorative frames and initials.
